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1974
Directed by Martin Scorsese
Synopsis
A picture for anyone who has ever dreamed of a second chance!
After her husband dies, Alice and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make a new life for herself as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Ellen Burstyn Kris Kristofferson Alfred Lutter Harvey Keitel Diane Ladd Lelia Goldoni Billy Green Bush Jodie Foster Valerie Curtin Vic Tayback Murray Moston Harry Northup Lane Bradbury Mia Bendixsen Dean Casper Marty Brinton Ola Moore Laura Dern Tami Conner David Adams Jackie Bridges Steve DeFrance Jan Eddy Arnold Herzstein Henry Kendrick Frank Kennedy Lambert Marks Don Starr Tiny Wells Show All…
DirectorDirector
Martin Scorsese
ProducersProducers
Audrey Maas David Susskind Sandra Weintraub
WriterWriter
Robert Getchell
EditorEditor
Marcia Lucas
CinematographyCinematography
Kent L. Wakeford
Assistant DirectorsAsst. Directors
Mike Moder Michael Kusley
LightingLighting
Bill Curtis
Camera OperatorCamera Operator
Owen Marsh
Production DesignProduction Design
Toby Carr Rafelson
ComposerComposer
Richard LaSalle
SoundSound
Don Parker
MakeupMakeup
Bob Westmoreland
HairstylingHairstyling
Lola 'Skip' McNalley
Studio
Warner Bros. Pictures
Country
USA
Language
English
Alternative Titles
再见爱丽斯, 艾丽丝不在这里, 艾丽丝不再住在这里, 엘리스는 이제 여기 살지 않는다, Alice non abita più qui, Alice Não Mora Mais Aqui, Alice lebt hier nicht mehr, Алиса здесь больше не живет, Alicia ya no vive aquí, Alice n'est plus ici, Alice Já Não Mora Aqui, Alice už tu nebydlí, אליס לא גרה כאן יותר, Alice már nem lakik itt, Alice Artık Burada Oturmuyor, Alice bor her ikke mere, 曾经沧海难为水, Η Αλίκη Δεν Μένει Πια Εδώ, L'Alice ja no viu aquí, ალისა აქ უკვე აღარ ცხოვრობს, アリスの恋, Alice ei asu enää täällä, Аліса тут більше не живе, Alice bor inte här längre, Alicja już tu nie mieszka, อรชรร่อนเร่
Genres
Romance Drama
Themes
Moving relationship stories Emotional and touching family dramas Touching and sentimental family stories Heartbreaking and moving family drama Enduring stories of family and marital drama Powerful stories of heartbreak and suffering Show All…
Releases by Date
- Date
- Country
Premiere
12 May 1975
FranceCannes FilmFestival
Theatrical limited
09 Dec 1974
- USAPG
29 Jan 1975
- USAPG
05 Jun 1975
- UK
Theatrical
11 Jul 1975
- Ireland15
14 Aug 1975
- Netherlands12
26 Sep 1975
- Germany
03 Oct 1975
- Austria12
10 Jan 1977
- Poland12
19 May 1977
- Hungary12
Digital
02 Jan 2002
- Czechia12+
Physical
17 Sep 2004
- Brazil14
21 May 2009
- Netherlands12
TV
31 Jul 2000
- Brazil18
Releases by Country
- Date
- Country
Austria
03 Oct 1975
- Theatrical12
Brazil
31 Jul 2000
- TV18Televisão HerbertRichers
17 Sep 2004
- Physical14DVD/VHS HerbertRichers
Czechia
02 Jan 2002
- Digital12+
France
12 May 1975
- PremiereCannes FilmFestival
Germany
26 Sep 1975
- Theatrical
Hungary
19 May 1977
- Theatrical12
Ireland
11 Jul 1975
- Theatrical15
Netherlands
14 Aug 1975
- Theatrical12
21 May 2009
- Physical12DVD
Poland
10 Jan 1977
- Theatrical12
UK
05 Jun 1975
- Theatrical limitedLondon,England
USA
09 Dec 1974
- Theatrical limitedPGLos Angeles,California
29 Jan 1975
- Theatrical limitedPGNew York City, NewYork
112mins More atIMDbTMDb Report this page
Popular reviews
More-
Review by Karsten ★★★★½ 9
Ah yes, another gritty gangster flick from the one and only Martin Scorsese!!!
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Review by sydney ★★★★★ 9
my heart!! a beautiful and brutal and hilarious small story about finding the least offensive abusive asshole in a world so full of them that a "smile sweetie" feels like a gift...dunno if scorsese meant this to be a sweet, quiet tragedy and i don't know that he understands women and their romantic motivations, but miraculously he understands motherhood...tommy telling a bad joke so long and nonsensical that it makes alice cry from exhaustion is real as hell...
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Review by kayla ★★★★ 11
Tommy might be in the top 5most annoying little sh*ts I’ve ever seen in in a movie
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Review by Branson Reese 7
Not trying to start sh*t but it is unbelievably obvious who has and hasn’t seen this when they pop off about Scorsese.
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Review by Jamelle Bouie ★★★★ 3
A lovely and generous character study about a woman who had to reach middle age — and suffer tragedy — before she could become herself. If there’s a dominant theme, it is that even the best men can be (and are) burdens on the women around them.
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Review by Ethan ☀️ 3
"Okie dokie that's enough female representation for the next 50 years!"
-Scorsese after completing this probably
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Review by KYK ★★★★½ 3
you know when you immediately love a movie but then it strikes that perfect chord and you cry the whole way through not necessarily because it's that sad but just cuz it touched you real good? that moment happened right when ellen burstyn got on the piano for her singing gig audition -- as if i wasn't already charmed and heartbroken by the way she outfit repeats her best green dress and puts a band-aid on her shoe instead of directly on her heel (!) because she hasn't broken them in yet. i also love her dynamic with her son ("life's short" / "so are you") and the moment she has a breakthrough with diane ladd.
35mm. Metrograph.
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Review by #1 gizmo fan ★★★★★ 1
I love movies
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Review by aliyah ★★★
that scene where tommy spends five minutes trying to tell a joke in such a complex way that it never even reaches the punchline but he is so determined to get the hilarity of it across that he refuses to stop trying... yeah...
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Review by eely 🪷 ★★★½
alice, flo, and vera all laughing and hugging in the diner made my heart go 💓
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Review by Josh Lewis ★★★★ 2
An excellent New Hollywood road movie update on the type of female-centered romance melodramas of Douglas Sirk or George Cukor, which were special for how much careful attention they paid to the class details, marriage/motherhood dynamics, and thwarted stardom dreams of their protagonists. Ellen Burstyn's complex and moving performance as the newly-widowed Alice who packs her bags and son into the car to start a new life as a California lounge singer and instead ends up a diner waitress in Arizona is so obviously the heart and soul that even the Academy noticed in 1974 but her decision to ask Warner to hire a hot, young director who had never made a studio film before to give it some authentic…
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Review by oliver whitney 3
jodie foster is a gender nonconforming icon
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